Maria Montessori and Environment Essay Example

Maria Montessori and Environment Paper Concentration is the key that opens up the childs latent treasures within him. As the scattered elements if his personality comes together, order begins to take the place of disorder, and the work of self-construction, which had been interrupted, is now taken up again, as nature has intended all along. E. M Standing, Maria Interiors: her life and work, peg 174 Learning, by itself, cannot happen without concentration. Whether we are learning to tie our shoes, write our name, wash a car or solve complex algebraic equations, there is intense concentration specific to the task at hand. Dry. Maria Interiors understood the power of concentration, and her methodology is designed to nurture this power. Concentration in infants is a fragile thing. Concentration is broken by the adult trying to shift the focus of the child. Indeed, Interiors said no one acting from the outside can cause him to concentrate. As the child grows and enters the Interiors environment (ages 3-6), concentration and attention span increase. In fact, that is an indirect aim of most Interiors activities. Practical Life activities are the cornerstone of the Interiors curriculum which serves the purpose of alluding independence, improving coordination, and following steps in a sequence. Our modern culture contains a multitude of distractions: video games, computers, television, and any number of sports- or arts-related extra activities. Combined, these can create an overabundance of sensory stimulation. Maintaining calm, controlled, prepared Interiors environment and a clear approach to reducing distractions and sensory overload is an important task of the Interiors caregiver. We will write a custom essay sample on Maria Montessori and Environment specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Maria Montessori and Environment specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Maria Montessori and Environment specifically for you FOR ONLY $16.38 $13.9/page Hire Writer This directed approach is designed to foster the power of concentration in children, so that they may grow to become happy, independent, and fulfilled adults. Maria Interiors first discovery at Case die Bambini was Mental Concentration; she observed a little girl of three, working with knobbed cylinders , this most interesting activity of taking the ten cylinders out, mixing them up and replacing them in the appropriate holes. Interiors watched in awe as the child repeated the entire operation forty-two times. Even when the rest of the class began to sing and to march around the classroom, the child remained fully engrossed in her work. Thus, it clearly stated that a child can concentrate best when he is provided with the right kind of material to work with. Dry. Maria Interiors calls the child during formative period, a Spiritual Embryo. During this stage, the child reincarnates due to his psychic and psychological growth; mysterious force that enables a child to grow, teaches him to self-construct. The human being is provided with two embryonic periods. One is pre-natal and another one post-natal. The Spiritual Embryonic period is provided with certain powers. These powers are called non-conscious powers because the child is not conscious of them. The non-conscious powers are Absorbent mind, Meme, Horse and Sensitive periods. The Absorbent mind is an unconscious, creative and non-selective process by which the brain takes in everything from the environment, just like a sponge. The child becomes an absorbent mind due to a vital memory called Meme. It is present only till the age of six years and it incarnates whatever the Absorbent Mind has absorbed. The absorbent mind can be divided into Unconscious Mind from birth to three years, where the child randomly absorbs everything from his environment and creates an impression into his psychic life. A child is a Conscious Mind from three to six years, which is a period of self construction. However the child is conscious, has a memory and has developed a will. A sensitive period for the development of sensory perception begins at birth and continues all the way through age five. David Getting, Interiors and her Theories, peg 7. Another Interiors contribution was the discovery of Sensitive periods. They are blocks of time in a childs life when he is absorbed with one characteristic of his environment to the exclusion of all others. The sensitive periods are triggered due to an unconscious will power/force called Horse, which pushes the child to fulfill his divine urge. The sensitive periods re critical to the childs self development. The child passes through six significant sensitive periods those for Sensitivity to order; learning through five senses; sensitivity to small objects; sensitivity to co-ordination of movement; language and social aspect of life. Dry. Maria Interiors believed that the child is born with pre-determined psychic pattern or The eight LaWs of Natural Development which are laid down before birth I. E. Law of work; when children were exposed to the material in the prepared environment become calm and peaceful and their destructive behaviors disappear. Thus, Interiors concluded that some great need of the child must have been met through this activity of concentration. Law of Independence, wherein the child uses his independence to listen to his own inner guide for actions that can be useful for him. We must keep children independent by providing them enough opportunities to work with materials. Power of attention, to further enhance and cultivate the power of attention we engage the child into various Interiors activities thereby developing the ability to concentrate and building personality. After internal coordination is established through the hills ability for prolonged attention and concentration, the Development of Will takes place, where in his will is revealed. Interiors observed the three stages of will development: first, when the child has a vital inner urge that directs him towards purposeful activities not directed by his will. The unknown attracts the child, then the known attracts and then he finally masters it through repetition. The second stage in the development of will is self -? discipline as a way of life followed by third stage of the power to obey. Every child is born with power of intelligence, initially he is intelligent through is senses and later it depends upon how much we are able to exploit his potential. Interiors believed that the Development of childs imagination and creativity are inborn powers that develop his mental capacities through interaction with the environment. The environment should be based on reality, beauty, harmony, freedom and imagination should be based on concrete. Development of emotional and spiritual life; a young child has an inner ability to respond to emotional and spiritual experiences from his birth. Interiors believed that these need should be met by providing a warm boning environment and freedom to socially interact in the class. Lastly, the child will go through different stages of growth beginning from childhood to adulthood and we need to provide the right environment and opportunities for the child to develop. Now, we understand that the child is born with a pre- determined psychic pattern which is present during the pre- natal stage. After the birth, the pattern for psychological development takes place with the help of two creative sensibilities, the absorbent mind and sensitive periods. Thus, it clearly states that the child is born with the power to concentrate, and we re can only help him master it through an aware adult working in a prepared environment. When we speak of environment we include the whole assemblage of things from which the child is free to choose for using just as he pleases, in conformity with his inclination and his need for action. Maria Interiors, The Discovery of the Child, peg 87. The Interiors prepared environment should be a loving area, a nourishing place to meet the childs need for self- construction. Here, they experience a combination of freedom and self- discipline, as guided by the environment. She regarded the environment secondary, because the two creative sensibilities of the child are termed as primary which are nourished through the environment. The basic elements within the prepared environment are Freedom; the concept of freedom in a classroom is achieved when children move usefully, intelligently and voluntarily without committing any rough or rude acts. Freedom enables the child to develop good working habits and sustained concentration. The child enjoys the freedom of movement at will. He has the freedom of choice; enjoys the freedom of speech. Children have the freedom to grow and construct him through Interiors environment. Children also have the right to love and be loved unconditionally, unvarying and unquestionably. A Interiors classroom is free from competition, rewards or punishments. A hug is a reward and inactivity is a punishment for a child. A child is allowed to grow at his own rate and development; there is no need to match up with others. Therefore, the environment is free from pressure imposed on the child to outdo others. Along with freedom, there are few limitations exercised on a child within a Interiors environment like a child should have respect for himself, respect for others, respect for material and respect for the environment (includes teachers, support staff and any person around). The other elements of a Interiors prepared environment of Structure and Order I. E. , the material should be arranged according to the interest of the child and the difficult level. No part of the material should be missing. Through order, children are able to find the material of their choice thereby building trust in the environment. Reality and Nature; the child should be exposed to nature through the care of plants and animals. Also, the environment should focus on real and concrete things rather than fantasy or illusions. The atmosphere should be simple, warm, and invite participation. The aesthetic sense should be brought in children. The first essential for the childs development is concentration. He must find out how to concentrate, and this needs things to concentrate upon. Maria Interiors, MIM Course Manual 01, peg 73 The Interiors materials have an inner purpose, to assist the child in his own self-construction and in his physical, psychological, intellectual and social d evelopment. The materials provide the stimulus which captures the childs imagination and helps him to initiate and expand the recess of concentration. This means that, if the materials are to be effective, they must be properly presented to the child at the right moment in his development. Each material should be meaningful to the child. The error that the child should discover must be isolated in a single piece of material. The material should progress from easy to complex usage; from concrete to abstract representations. The materials are didactic in nature I. E. The control of errors lies in the materials rather than the teacher. The Interiors prepared environment allow the children to take responsibility for their own education, giving them the opportunity to become human beings able to function independently (through focused concentration) and interdependently on each other. Another important aspect which influences the development of the child is an Aware adult or a Interiors teacher. She is a guide and facilitator who creates a well-prepared Interiors environment and shows the way. Not words but virtues are her qualification. A Interiors teacher is a preparer and a communicator of the environment. She is an exemplar for the children and must strive for warmth and love for life. She is also a link be;en the environment and the child. When children are allowed freedom in an environment suited to their needs, they blossom. After a period of intense concentration, working with materials that fully engage their interest, children appear to be refreshed and contented. Through continued concentrated work of their own choice, children grow in inner discipline and peace. This process is called Normalization and cited it as the most important single result of our whole work. When a child is in complete harmony with his entire environment, is said to be a normalized child. Normalization comes about through concentration on a piece of org. Maria Interiors, The Absorbent Mind, page 5. Normalized children help to create the quiet and tranquil learning environment in which both they and their classmates are able to concentrate fully upon their chosen tasks. The characteristics of a normalized child are love of order, love of work, profound spontaneous concentration, attachment to reality, love of silence, spontaneous self discipline, sublimation of the possessive instinct, obedience, independence and evidence of joy. When the children move away or distracted from the natural path of development is called deviation. Interiors pointed out thats because the first essential of the childs development is not really play at all. Instead, the first essential of the childs development is concentration because it lays the basis for the development of an individuals character and subsequent social behavior. Concentration is always solitary, even in the midst of a crowd, and there is no real achievement without it. Emotional factors, such as the childs close relationship with the adults who care for him or her, help form the childs personality. By age three, if children are not rejected, they respond with irritated, trust and respect for those who are willing to help them orient themselves in their world. When children are able to concentrate, doubt and timidity disappear. The children become calmer, more intelligent and more expansive. When children work to assimilate the environment, their personalities are unified. If nature is the basis the construction will be superior, but without this basis there can only be an artificial construction which breaks down easily. Maria Interiors, Internet. This is the age (the child before the age of six) in which social or antisocial qualities are going to e evolved according to the nature of the childs surroundings. This is their point of origin. The actual social outcome depends upon the nature of the childs surroundings; the conditions in the childs environment; the experiences the child has in that environment and the opportunities the child finds in that environment. Therefore, when we provide the right prepared environment to the child which stimulates his inner psychic pattern, revealed through the two creative sensibilities, understood by an aware adult leads to a Society of Cohesion. The behaviors which characterize the Social Cohesion an be identified as controlled and purposeful interactions, characterized by mutual respect and personal dignity, Compassion, Sympathy, Empathy, Concern for Others, Willingness to help those in need, Spontaneous Reciprocity and Altruism; Solidarity, Unity, and Harmonious Social Life; Awareness of the Consequences of Ones Actions and a non-competitive attitude. The cohesive social order is a natural fact and must build itself spontaneously under the creative stimuli of nature. No one can replace God, and anyone who tries to do so become a devil, just as when the overbearing adult oppresses the creative energies of the infantile personality. The childs characteristics, during his life as the spiritual embryo, are not discoveries of the intellect, nor made by human work, but are mental qualities, that we find in the cohesive part Of society. Not sermons but creative instincts are important because they are realities. Goodness must come out of reciprocal helpfulness, from the unity derived from spiritual cohesion. What nature has given them develops with constructive work. Interiors education, therefore, of little ones is important because this is the embryonic period for the formation of character as well as society. What the child achieves between the ages of three to six does not depend on doctrines but on a divine directive which guides his spirit to construction.

A Widow for One Year by John Irving Essays

A Widow for One Year by John Irving Essays A Widow for One Year by John Irving Paper A Widow for One Year by John Irving Paper Essay Topic: Everything Is Illuminated Ruth Cole, the main female character, at age four, walks in on her mother, Marion, and Eddie, a sixteen-year-old, having sex. This novel is divided into three sections about Ruts life: her childhood in the Hampton, her success as an author, and her experience as a widow on the verge of falling in love. The story begins in the summer of 1958, during a failing marriage between her parents, Ted and Marion. The second section of the book occurs in 1990, while Ruth Cole, a famous novelist, is on tour. The third and final segment of the book happens In 1995, where the turmoil n her life Is resolved and everything falls Into place. In this novel John Irving Incorporates many of his own experiences Into the story line. John Irving was born In Exeter, New Hampshire, In 1942. He later attend Exeter academy and has written many successful novels. Mr.. Irving Is a well-recognized author because of his meticulous writing style and his in depth portrayal of characters and story line. Critics praise the old-fashioned yet modern style of writing that John Irving creates in his novel with his intricate plots and twisting love stories in A Widow for One Year, Hough many say that the extent of his gruesome depictions of sex scenes take away from the quality of the book. The critics from the Kirks Eerie, the Los Angels Times, Salon Magazine, and the Washington post commend Ervings brilliant descriptions of love in the novel. Ruth Slouching from the San Francisco Chronicle says OH Widow for One Year, his (Irving) most Intricate and fully imagined novel Is a compelling composite of love and that, CIA Widow for One Year Is a grand celebration of the forces of love and hope over grief and despair is a multilayered love story of astonishing emotional Orca(Pritchard 2). Machismo Skating of the Los Angels Times describes the novel, 0 Ervings own storytelling has never been better. In fact, his authoritative narrative steamrolls over the contrivances, impossibilities and antic excesses of his story to create an engaging and often affecting fable, a fairy tale of love that manages to be old-fashioned and modern all at once(Skating 2). Critics extol Ervings use of suspense and his complex love affairs. All the elements of the authors oeuvre are present in this new novel: children killed in a tragic accident that their parents view s their own fault; prep school send-ups; a tale of obsession which one may confuse with love-all Illuminated by the thin light of loss(Gray 1). Landsman Gelded writes, Irving should be required to do nothing more to secure his place as one of Americas premier Fulton writers. HIS latest novel, masterfully conceived and constructed, Is a joy to read. As one who discerns and tells about life in fictional format, Irving is Tested Day 1 Many critics agree Tanat Join Irving created a masterpiece in his new novel, with an intriguing plot and diverse characters. John Irving seems to eave written a novel that few could match. It is very much a return to [Ervings] eccentrically winsome format is clearly Ervings special gift for farcical incident, his piercing sense of the wonderful and terrible vulnerability of children and those of tender hearthstone it is good to have the author back in recognizable shape(Vaughn Although many may think this novel to be a contemporary masterpiece, people agree that the book may have been too explicit and too gratuitous as well as too far- fetched. There are many scenes in this book that very few peop le may be able to elate to; these scenes detract from the overall strength of the novel. Even those critics that praise the book also say it has its flaws that take away from its greatness. Irving has the effrontery to get away with practically any scene that comes into his head-Ruth winds up an eye witness to a hookers murder in Amsterdam, a Dutch detective starts tracking her down, and multiple plot strands all converge in a finale that neatly echoes the opening scene(Pritchard 2). Machismo Skating quotes, Widow is marred by paint-by-number psychological and heavy- handed use of 1). A common criticism is that the book uses sexual aberration and sexual violence to a discomforting degree. Eventually I yearned for the grip to slacken; by the final section, as every loose end is meticulously folded away, I was increasingly irritated also found that the descriptiveness of Eddies obsession with older women to be quite bothersome(Kurt 1). Eddie, the main male character of the book, has an obsession for wanting to be with older women. He even writes what many would call pornog raphic books about his imagined experiences with older women. Other critics write that, The story moves lightly, and overindulges both Ervings love of intricate Victorian plots and his literary likes and dislikes(Kirks 1). Many found the book to be intriguing and very well thought out but were skeptical about the necessity of the explicit details. When Ruth Cole entered her parent bedroom, she saw the naked young man who had mounted her mother from behind; he was holding her mothers breasts in his hands and humping her on all fours, like a dog, but it was neither the violence not the repugnance of the sexual act that caused Ruth to screamers was the young man myself who made Ruth scream, because she was certain he was one of her dead This is the opening scene of the novel. Although this is unique it may easily put readers off, especially those of younger ages. The scene described is a relationship between Eddie, sixteen years old, and Marion, Ruts mom who was in her late thirties. This relationship becomes one of many twisted love stories of the book, and it starts Eddies obsession with older women. Eddie became an unsuccessful and unrecognized author. He wrote several books about his encounters with Marion and there older women, such as Sixty Times and Elizabeth J. Benton (though he never had sex with anyone but Marion). At the end of the book Marion returns to Eddie at the age of seventy-six, his reunion with her is the final scene in the book, and represents Eddies fulfillment. Marion, in an ivory-white slip, and with her hair unpinned-it was shoulder-length, and of a whiter shade of gray than Eddies-surprised him in the Slacken Day putting near arms around Nils waist Ana mugging anomalous allowed near hand to stray to Eddies reconnection Eddie lay, as hed once lain with her. With his head against Marinas breasts; her hand ran through his hair as she clasped him to her(532). Throughout the novel there were many descriptions of sexual behavior that can be seen as repulsive, or nearly so, and at times these made the book a difficult read. John Irving is an eloquent author who writes stories that are beyond realism, often so intense as to be difficult to read. Irving creates a satisfying tale with many different plots and twists which make the novel at times compelling. Sex can be romantic and artistic but when making loves turns